Demonstration - Lifting Pigment and Blending

Ever have a painting that the subject appears "cut out and pasted" due to using masking fluid or painting around the subject as in a floral with a dark background?  Ever end up with hard lines you feel takes away from an area?   This demonstration shows what works for me when dealing with these two problems.



Color Used:  Winsor & Newton French Ultramarine

Paper:  Winsor & Newton 140 lb Cold Press

Brush:  3/8" Synthetic Slanted Flat

 

1) Begin by painting two blocks (one dark and one light in value) separated by a thin line of unpainted paper. 

Allow to completely dry before proceeding.

2) Once the area is dry, gently brush on plain water over the light value block of color.  With a clean damp brush and using only the very corner tip, gently scrub the edge using tiny circular motions. 

Here I started on the bottom left edge of the light value block and worked my way around to the right and top.

3) As you work the hard edge by gently scrubbing, use horizontal brush strokes from the side edge towards the inside area of the block to blend and smooth loose pigment. 4) Continue working the edge.
5) Clean your brush often and dab excess water on a folded paper towel.  Continue softening the edge. 6) Like you did on the side edge, use vertical brush strokes from outer top area down into the center of the block to blend and smooth loose pigment.
7) Gently dab with a clean tissue, concentrating on the edges, to pick up excess pigment .... 8) .... this helps keep a new hard line from developing as the area dries.
9) Allow to completely dry.

Evaluate the edges and repeat if necessary.

10) To eliminate and blend the hard line in the center, you want to wet the entire painted area (both dark and light value blocks of color). 

Using short horizontal brush strokes, pull some of the dark pigment over the center unpainted line into the light value area.

11) Illustrates where pigment has been pulled over into the lighter value area. 12) This shows where more dark pigment was pulled and blended using horizontal brush strokes. 

It is important to use a very light touch when blending.

13) Evaluate the center where the unpainted area was.  If there is still a division, repeat pulling dark pigment over from the left into the right with the horizontal brush strokes. 14) Gently dab a tissue, particularly around the edges, to keep a new hard line from forming and picking up excess loose pigment.

Allow to completely dry.

15) Wet the entire area of color and begin softening the hard edges as you did with the lighter value side. 16) As you scrub the edge, you may notice a collection of loose pigment collecting in the scrubbed area (more noticeable when working with darker values).  Dab with a clean tissue to pick this up. 
17) Remember to clean your brush often, dab on folded paper towel, and continue. 18) This illustrates as I continue softening the hard edge.
19) Dab edges with tissue to keep new hard lines from forming as the area dries. 20) Allow to completely dry.
21) If there is still a slight division between the two values due to the unpainted thin strip initially left, or if the area looks "blotchy", re-wet the entire painted area and use vertical brush strokes from left to right. 

"Walk" the brush which means to make a brush stroke (top to bottom), repeat slightly overlapping the previous stroke and continue over towards the right.

22) Keep the edges clean by dabbing with tissue.
23) Allow area to completely dry.

Notice there is still a slight division there in the middle.  That can still be fixed.

24) Re-wet the entire painted area with water.  Pick up a slightly darker value of blue than what is showing on paper and make a vertical brush stroke over the division.
25) Working quickly, use gentle horizontal brush strokes starting from top working down to the bottom.  Pull new pigment from just left of the right edge of the new pigment and pull over into the darker side.

It's important to use a very light touch for smooth blending.

26) Repeat to blend the right edge of the new pigment over into the lighter value side. 

Allow to dry and evaluate.

Repeat the steps if necessary.

BEFORE AFTER



 

 


Return to main Demonstration page Return to Demonstration Main Page

 

Return to top of page

 

The contents of this site are copyright © 2003-2009, All Rights Reserved.